L'ABBEYE Issue I

L'Abbeye Issue I : the first chapter of the archive is now open for pre-order

A 400+ page coffee-table object documenting avant-garde fashion as philosophy, not trend. Standard edition 55€, Collector x Isaac Sellam 395€, 200 numbered copies.

Pre-order now

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Hair has always carried meaning beyond adornment. It is a language of ancestry, divinity, and resistance. Through Yoruba philosophy, African ritual, and contemporary fashion, this piece explores how the act of styling -braiding, covering, shaving- becomes both memory and message, both art and prayer.

“Avant-garde” gets thrown around a lot in fashion, but where does it come from, and what does it actually mean? From its radical roots to its presence in lifestyle and design, here is what truly sets avant-garde apart from passing trends.

Once confined to galleries and runways, experimental fashion now thrives in pixels, posts, and the digital underground.

Mia Gosset continually rethinks what jewellery and objects can be. Here, she shares her process, inspirations, and the vision behind her practice, uncovering what truly makes Mia Gosset, Mia Gosset.

If you are into the surreal and the macabre, this list might be for you.

A retrospective look at Alexander McQueen’s ‘Voss’ Collection.

What happens when fashion stops trying to please and starts to think? Between decay and emptiness, between Derrida and Rei Kawakubo, conceptual fashion can become a meditation: on truth, impermanence, and the self beneath appearance.

In revisiting some of the most thought-provoking moments from recent seasons, Rokh’s Autumn/Winter 2025 show stands out as a masterclass in sculptural tailoring and conceptual storytelling.

Anonymous fashion is quietly reshaping the industry. Inspired by the legacy of Martin Margiela and embodied by designers like Carol Christian Poell and Aleksandr Manamïs, this movement rejects celebrity culture and returns focus to craftsmanship, material, and form.

Flesh As Architecture explores the human body as a constructed form rather than a living subject. e body is treated as a site of erosion - a ruin shaped by time, weight, and stillness. Through restrained movement and sculptural poses, flesh becomes structural. Limbs echo columns, joints resemble supports, and skin carries the surface of decay. What remains is not emotion, but form. The body no longer performs; it stands, monumental and silent, a ruin transformed into a statue.

How directors like David Lynch, Alejandro Jodorowsky, and Denis Villeneuve envisioned Dune’s universe, and how it continues to inspire avant-garde fashion.

In summer, the body is no longer concealed. And dressing becomes a ritual of what we chose to elevate.

Exploring the use of bones and skeletons as imagery and motifs across avant-garde fashion and design

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Egúngún masqueraders, Benin. Elaborately layered costumes conceal the performers’ identities, transforming them into figures of ancestral ritual.

Following the death of the last horse in a stable, a man reveals a ritualistic scene, shaped by grief and the human-animal bond.

The Emotional Weight of Loss, Migration, and Memory. How Historical Trauma Transformed into Fashion.

When Fashion stops presenting clothes and starts staging ceremonies.

The new Dover Street Market brand was launched in June with the SS 26 collection of DSM Kei Ninomiya.

One aesthetic mourns the past. The other imagines the future. Between neo-gothic and neo-futurism, contemporary fashion continues to seek meaning anywhere but in the present.

In summer, the body is no longer concealed. And dressing becomes a ritual of what we chose to elevate.

Artist, writer, filmmaker and former Radio Werewolf frontman, Nikolas Schreck has spent decades exploring the intersections of music, ritual, cinema and mythology. In this in-depth conversation, he reflects on the legacy of Radio Werewolf, his collaboration with Christopher Lee, the controversy of Charles Manson Superstar, and his vision of art as spiritual transmission in an age of digital distraction.

Flesh As Architecture explores the human body as a constructed form rather than a living subject. e body is treated as a site of erosion - a ruin shaped by time, weight, and stillness. Through restrained movement and sculptural poses, flesh becomes structural. Limbs echo columns, joints resemble supports, and skin carries the surface of decay. What remains is not emotion, but form. The body no longer performs; it stands, monumental and silent, a ruin transformed into a statue.

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