L'ABBEYE Issue I

L'Abbeye Issue I : the first chapter of the archive is now open for pre-order

A 400+ page coffee-table object documenting avant-garde fashion as philosophy, not trend. Standard edition 55€, Collector x Isaac Sellam 395€, 200 numbered copies.

Pre-order now

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If you are into the surreal and the macabre, this list might be for you.

Carl Jung’s archetypes offer a new lens to decode avant-garde fashion. From Browne’s Trickster to Yamamoto’s Hermit, each silhouette becomes a vessel of the collective unconscious. Proof that fashion, at its most radical, speaks the language of the soul.

Artist, writer, filmmaker and former Radio Werewolf frontman, Nikolas Schreck has spent decades exploring the intersections of music, ritual, cinema and mythology. In this in-depth conversation, he reflects on the legacy of Radio Werewolf, his collaboration with Christopher Lee, the controversy of Charles Manson Superstar, and his vision of art as spiritual transmission in an age of digital distraction.

Gothic cathedrals were built to overwhelm the soul, and their shadow still lingers in fashion. From the monumental visions of Alexander McQueen to the sculptural darkness of Rick Owens and the poetic ruins of Ann Demeulemeester, designers have long translated arches, spires, and sacred geometry into garments. In avant-garde fashion, the body becomes architecture. A cathedral of fabric where beauty, darkness, and devotion collide.

Avant-garde designers like Iris van Herpen, Gareth Pugh and Hussein Chalayan are redefining fashion as architecture. In this emerging landscape of “unwearable fashion,” garments become sculptural experiments that challenge wearability, identity and the future of the human body.

For those stepping into the avant-garde realm of fashion, Carol Christian Poell is an essential figure. Though now retired, his legacy endures. Through radical construction, cryptic processes, and garments that confront both the body and time, his influence continues to shape the fashion world.

Fashion's most unsettling silhouettes are not mistakes, they are refusals. A look at how the grotesque became one of style’s sharpest tools of dissent.

“Avant-garde” gets thrown around a lot in fashion, but where does it come from, and what does it actually mean? From its radical roots to its presence in lifestyle and design, here is what truly sets avant-garde apart from passing trends.

Known for her Oscar-winning costumes in Bram Stoker’s Dracula and her visionary work across film, theater, and fashion, Ishioka blended avant-garde artistry with wearable sculpture.

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Fashion's most unsettling silhouettes are not mistakes, they are refusals. A look at how the grotesque became one of style’s sharpest tools of dissent.

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