Labbeye

ELENA DAWSON : THE GARDEN OF FORGOTTEN MEMORIES, A BOTANICAL ELEGY OF SOFTH GOTHIC

Elena Dawson is not a brand. It is a state of being, a phenomenon whose aura resists all attempts at categorization within fashion’s coordinate systems. Her creative work is a secluded sanctuary, a chapel on the outskirts of the industry. Here, a particular, deeply intimate romance is born : the romance of a soft gothic, devoid of vampiric pomp and grotesquery, yet imbued with Victorian melancholy and the stoic grace of decay.

RECOMMENDED FOR YOU :

CTRL + ALT + FASHION : HOW DIGITAL CULTURE IS SHAPING AESTHETICS

While the fashion industry has drawn inspiration from the internet for years, a new wave of digital-first aesthetics is accelerating the evolution of trends.

Art| Emerging Designers| Fashion Theory| Futuristic

7 GOTHIC FRAGRANCES FAR FROM BORING

Want to smell like bloody birthday cake, chilly nights in London, and burnt blunt?

Dark Fashion| Soft Goth

THE GRACE OF WITHDRAWAL

Editorial

QUEERING THE UNIFORM : SUBVERSION, KINK AND THE MILITARISATION OF STYLE

Uniforms were meant to discipline bodies and erase individuality. Yet in the hands of avant-garde designers, they become something else entirely: instruments of desire, rebellion, and identity play. From the fragile adolescent tension of Raf Simons to the hyper-queer provocations of Walter van Beirendonck and the sleek militarised sensuality of Helmut Lang, the uniform is no longer a symbol of obedience but a stage where power, vulnerability, and eroticism collide.

Dark Fashion| Fashion Theory

POST-HUMANISM: THE LESS HUMAN THE BODY BECOMES, THE MORE SACRED IT FEELS

The body disappears, distorts, expands. Not to become something else, but to escape being human at all.

Dark Fashion| Fashion Theory| Grotesque Beauty

TO BE WORN OR TO BE WATCHED

In light of recent exhibitions like Demna’s retrospective at the Kering headquarters and Rick Owens’ Temple of Love, we explore the tension between fashion as something to be worn and fashion as something to be preserved and exhibited.

Art| Fashion Theory

THE GOTHIC REBIRTH OF MINIMALISM

Editorial

CORROSION AS CRAFT: RETHINKING FASHION THROUGH DECAY

What if beauty wasn’t preserved, but allowed to rust? Justin Matringe turns decay into design, crafting garments that corrode the very idea of fashion itself.

Eco Fashion| Emerging Designers| Fashion Theory| Interviews

IRRÉEL

Editorial

NIKOLAS SCHRECK - THE RENAISSANCE MONSTER

Artist, writer, filmmaker and former Radio Werewolf frontman, Nikolas Schreck has spent decades exploring the intersections of music, ritual, cinema and mythology. In this in-depth conversation, he reflects on the legacy of Radio Werewolf, his collaboration with Christopher Lee, the controversy of Charles Manson Superstar, and his vision of art as spiritual transmission in an age of digital distraction.

WHAT "AVANT-GARDE" REALLY MEANS IN FASHION

“Avant-garde” gets thrown around a lot in fashion, but where does it come from, and what does it actually mean? From its radical roots to its presence in lifestyle and design, here is what truly sets avant-garde apart from passing trends.

Art| Dark Fashion| Fashion Theory| Japanese Designers

THE INFLUENCE OF GOTHIC STRUCTURE ON FASHION

Gothic cathedrals were built to overwhelm the soul, and their shadow still lingers in fashion. From the monumental visions of Alexander McQueen to the sculptural darkness of Rick Owens and the poetic ruins of Ann Demeulemeester, designers have long translated arches, spires, and sacred geometry into garments. In avant-garde fashion, the body becomes architecture. A cathedral of fabric where beauty, darkness, and devotion collide.

Dark Fashion| Design| Fashion Theory| Medieval core

GROTESQUE BEAUTY

Dissecting fashion's relationship with distorted, dark, and deformed imagery

Dark Fashion| Emerging Designers| Fashion Theory| Grotesque Beauty

MAINSTREAM DOWNSTREAM

In June 2003, along the quiet waters of Milan’s Naviglio Grande, Carol Christian Poell staged one of the most haunting fashion presentations of the 21st century. Far from the conventional runway, his Spring/Summer 2004 show unfolded on the surface of a canal, where garments and models alike drifted in silence, part procession, part apparition. Echoing the spectral stillness of Millais’s Ophelia, Poell’s vision transformed fashion into ritual, decay into desire, and garments into relics. This article revisits that unforgettable moment, where control gave way to current, and fashion, freed from speed and spectacle…

Art| Dark Fashion| Fashion Theory

EXPLORING THE UNTAPPED POTENTIAL OF FISH SKIN FOR FASHION: INTERVIEW WITH ISABELLE TAYLOR

Isabelle Taylor is a beautifully unconventional surrealist fashion designer specialising in fish leather, a sustainable material made from the byproducts of smoked salmon, which she uses to create garments through her brand, Skinned Potential.

Eco Fashion| Emerging Designers| Fashion Theory| Interviews

INTERVIEW : VICTOR CLAVELLY'S SURREAL FASHION LORE

CORROSION AS CRAFT: RETHINKING FASHION THROUGH DECAY

THE GOTHIC REBIRTH OF MINIMALISM

THE EVOLUTION OF AVANT-GARDE IN FASHION

THE PASSERBY

HOW MCQUEEN MADE THE FASHION INDUSTRY DESCEND INTO MADNESS

WHAT "AVANT-GARDE" REALLY MEANS IN FASHION

EXPLORING THE UNTAPPED POTENTIAL OF FISH SKIN FOR FASHION: INTERVIEW WITH ISABELLE TAYLOR

LONG LIVE THE NEW FLESH: 6 TIMES DAVID CRONENBERG INSPIRED RUNWAY DESIGNERS

THE SUMMER IS COMING AND SO IS THE LAST JUDGMENT DAY: HOW TO DRESS "PROPERLY" ?

In summer, the body is no longer concealed. And dressing becomes a ritual of what we chose to elevate.

Fashion Theory

NIKOLAS SCHRECK - THE RENAISSANCE MONSTER

Artist, writer, filmmaker and former Radio Werewolf frontman, Nikolas Schreck has spent decades exploring the intersections of music, ritual, cinema and mythology. In this in-depth conversation, he reflects on the legacy of Radio Werewolf, his collaboration with Christopher Lee, the controversy of Charles Manson Superstar, and his vision of art as spiritual transmission in an age of digital distraction.

FLESH AS ARCHITECTURE

Flesh As Architecture explores the human body as a constructed form rather than a living subject. e body is treated as a site of erosion - a ruin shaped by time, weight, and stillness. Through restrained movement and sculptural poses, flesh becomes structural. Limbs echo columns, joints resemble supports, and skin carries the surface of decay. What remains is not emotion, but form. The body no longer performs; it stands, monumental and silent, a ruin transformed into a statue.

ANN DEMEULEMEESTER AW25: ROAD TO NEVER

Editorial

MAINSTREAM DOWNSTREAM

In June 2003, along the quiet waters of Milan’s Naviglio Grande, Carol Christian Poell staged one of the most haunting fashion presentations of the 21st century. Far from the conventional runway, his Spring/Summer 2004 show unfolded on the surface of a canal, where garments and models alike drifted in silence, part procession, part apparition. Echoing the spectral stillness of Millais’s Ophelia, Poell’s vision transformed fashion into ritual, decay into desire, and garments into relics. This article revisits that unforgettable moment, where control gave way to current, and fashion, freed from speed and spectacle…

Art| Dark Fashion| Fashion Theory

RAGS AND RICHES

Between memory and marketing, fashion has learned to fake its scars. As luxury brands sell dirt, rips, and wear at a high price, the Dirty Fit trend raises a deeper question: can authenticity be manufactured, or must it be lived? From inherited jewelry to torn runways, this article explores why real wear carries meaning and why pre-damaged fashion often rings hollow.

Eco Fashion| Fashion Theory

QUEERING THE UNIFORM : SUBVERSION, KINK AND THE MILITARISATION OF STYLE

Uniforms were meant to discipline bodies and erase individuality. Yet in the hands of avant-garde designers, they become something else entirely: instruments of desire, rebellion, and identity play. From the fragile adolescent tension of Raf Simons to the hyper-queer provocations of Walter van Beirendonck and the sleek militarised sensuality of Helmut Lang, the uniform is no longer a symbol of obedience but a stage where power, vulnerability, and eroticism collide.

Dark Fashion| Fashion Theory

UNWEARABLE FUTURES : FASHION AS CONCEPTUAL ARCHITECTURE

Avant-garde designers like Iris van Herpen, Gareth Pugh and Hussein Chalayan are redefining fashion as architecture. In this emerging landscape of “unwearable fashion,” garments become sculptural experiments that challenge wearability, identity and the future of the human body.

Art| Fashion Theory| Futuristic

FASHION AS RITUAL: COSTUMING THE SACRED AND THE OCCULT

Fashion has always flirted with the sacred, but a new generation of designers is turning garments into rituals. From the techno-shamanic visions of House of Malakai to the monastic mythologies of Rick Owens, clothing becomes more than appearance, it becomes invocation. These pieces function like talismans, charged with symbolism, intention, and transformation. In an age of digital noise, fashion begins to reclaim its oldest power: ritual.

Dark Fashion| Fashion Theory

7 PAIRS OF AVANT GARDE KILLER FOOTWEAR

Stepping on necks in terrifyingly beautiful shoes by designers like Rick Owens, Myah Hasbany, and Comme Des Garçons

Accessories| Dark Fashion| Emerging Designers| Futuristic| Japanese Designers

See all the archives editorials

ALL THEMES

THEMES YOU COULD LIKE

FUTURISTIC

DARK FASHION

INTERVIEWS

RECOMMENDED FOR YOU :

While the fashion industry has drawn inspiration from the internet for years, a new wave of digital-first aesthetics is accelerating the evolution of trends.

Want to smell like bloody birthday cake, chilly nights in London, and burnt blunt?

The body disappears, distorts, expands. Not to become something else, but to escape being human at all.

In light of recent exhibitions like Demna’s retrospective at the Kering headquarters and Rick Owens’ Temple of Love, we explore the tension between fashion as something to be worn and fashion as something to be preserved and exhibited.

What if beauty wasn’t preserved, but allowed to rust? Justin Matringe turns decay into design, crafting garments that corrode the very idea of fashion itself.

“Avant-garde” gets thrown around a lot in fashion, but where does it come from, and what does it actually mean? From its radical roots to its presence in lifestyle and design, here is what truly sets avant-garde apart from passing trends.

Dissecting fashion's relationship with distorted, dark, and deformed imagery

Isabelle Taylor is a beautifully unconventional surrealist fashion designer specialising in fish leather, a sustainable material made from the byproducts of smoked salmon, which she uses to create garments through her brand, Skinned Potential.

TOP 10 ARTICLES :

ARCHIVES :

In summer, the body is no longer concealed. And dressing becomes a ritual of what we chose to elevate.

Avant-garde designers like Iris van Herpen, Gareth Pugh and Hussein Chalayan are redefining fashion as architecture. In this emerging landscape of “unwearable fashion,” garments become sculptural experiments that challenge wearability, identity and the future of the human body.

Stepping on necks in terrifyingly beautiful shoes by designers like Rick Owens, Myah Hasbany, and Comme Des Garçons

Welcome