L'ABBEYE Issue I

L'Abbeye Issue I : the first chapter of the archive is now open for pre-order

A 400+ page coffee-table object documenting avant-garde fashion as philosophy, not trend. Standard edition 55€, Collector x Isaac Sellam 395€, 200 numbered copies.

Pre-order now

RECOMMENDED FOR YOU :

Dissecting fashion's relationship with distorted, dark, and deformed imagery

A retrospective look at Alexander McQueen’s ‘Voss’ Collection.

Anonymous fashion is quietly reshaping the industry. Inspired by the legacy of Martin Margiela and embodied by designers like Carol Christian Poell and Aleksandr Manamïs, this movement rejects celebrity culture and returns focus to craftsmanship, material, and form.

When Fashion stops presenting clothes and starts staging ceremonies.

From transforming furniture into dresses to garments embedded with motors, lasers, and microchips, Hussein Chalayan revolutionized the relationship between fashion and technology. This article explores how the British-Cypriot designer became one of the earliest pioneers of wearable tech and conceptual fashion.

Womenswear designer Antonio Femia looks to the hometown forests in Belgium for his graduate collection at Central Saint Martins. Bridget Devine discovers more about his ritualistic design universe...

Why gothic romance literature and media are at the root of the avant-garde scene

For those stepping into the avant-garde realm of fashion, Carol Christian Poell is an essential figure. Though now retired, his legacy endures. Through radical construction, cryptic processes, and garments that confront both the body and time, his influence continues to shape the fashion world.

In June 2003, along the quiet waters of Milan’s Naviglio Grande, Carol Christian Poell staged one of the most haunting fashion presentations of the 21st century. Far from the conventional runway, his Spring/Summer 2004 show unfolded on the surface of a canal, where garments and models alike drifted in silence, part procession, part apparition. Echoing the spectral stillness of Millais’s Ophelia, Poell’s vision transformed fashion into ritual, decay into desire, and garments into relics. This article revisits that unforgettable moment, where control gave way to current, and fashion, freed from speed and spectacle…

One aesthetic mourns the past. The other imagines the future. Between neo-gothic and neo-futurism, contemporary fashion continues to seek meaning anywhere but in the present.

Flesh As Architecture explores the human body as a constructed form rather than a living subject. e body is treated as a site of erosion - a ruin shaped by time, weight, and stillness. Through restrained movement and sculptural poses, flesh becomes structural. Limbs echo columns, joints resemble supports, and skin carries the surface of decay. What remains is not emotion, but form. The body no longer performs; it stands, monumental and silent, a ruin transformed into a statue.

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A pressed flower keeps its shape but loses its life, is that what happens to fashion once it enters the archive? Through McQueen's satire, Margiela's cloned relics, and Kawakubo's outright refusal, three of fashion's most radical minds ask whether preservation is actually killing the craft.

Egúngún masqueraders, Benin. Elaborately layered costumes conceal the performers’ identities, transforming them into figures of ancestral ritual.

Following the death of the last horse in a stable, a man reveals a ritualistic scene, shaped by grief and the human-animal bond.

The Emotional Weight of Loss, Migration, and Memory. How Historical Trauma Transformed into Fashion.

When Fashion stops presenting clothes and starts staging ceremonies.

The new Dover Street Market brand was launched in June with the SS 26 collection of DSM Kei Ninomiya.

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