L'ABBEYE Issue I

L'Abbeye Issue I : the first chapter of the archive is now open for pre-order

A 400+ page coffee-table object documenting avant-garde fashion as philosophy, not trend. Standard edition 55€, Collector x Isaac Sellam 395€, 200 numbered copies.

Pre-order now

Breaking the Consumer Mindset and Reclaiming Personal Taste

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Exploring the use of bones and skeletons as imagery and motifs across avant-garde fashion and design

Uniforms were meant to discipline bodies and erase individuality. Yet in the hands of avant-garde designers, they become something else entirely: instruments of desire, rebellion, and identity play. From the fragile adolescent tension of Raf Simons to the hyper-queer provocations of Walter van Beirendonck and the sleek militarised sensuality of Helmut Lang, the uniform is no longer a symbol of obedience but a stage where power, vulnerability, and eroticism collide.

These five underrated brands are quietly reshaping fashion with bold ideas and unique visions. Discover who’s flying under the radar and why they deserve your attention now.

Want to smell like bloody birthday cake, chilly nights in London, and burnt blunt?

A pressed flower keeps its shape but loses its life, is that what happens to fashion once it enters the archive? Through McQueen's satire, Margiela's cloned relics, and Kawakubo's outright refusal, three of fashion's most radical minds ask whether preservation is actually killing the craft.

Isabelle Taylor is a beautifully unconventional surrealist fashion designer specialising in fish leather, a sustainable material made from the byproducts of smoked salmon, which she uses to create garments through her brand, Skinned Potential.

What happens when fashion stops trying to please and starts to think? Between decay and emptiness, between Derrida and Rei Kawakubo, conceptual fashion can become a meditation: on truth, impermanence, and the self beneath appearance.

As she releases her Retrospective book, we chart the Eurythmics vocalist's looks across different musical eras, and how they shaped fashion, gender representation, and the visual vocabulary of pop.

When Fashion stops presenting clothes and starts staging ceremonies.

Tracing avant-garde’s path from its revolutionary roots of Elsa Schiaparelli, Rei Kawakubo, and McQueen to today’s branches of gothic elegance.

In June 2003, along the quiet waters of Milan’s Naviglio Grande, Carol Christian Poell staged one of the most haunting fashion presentations of the 21st century. Far from the conventional runway, his Spring/Summer 2004 show unfolded on the surface of a canal, where garments and models alike drifted in silence, part procession, part apparition. Echoing the spectral stillness of Millais’s Ophelia, Poell’s vision transformed fashion into ritual, decay into desire, and garments into relics. This article revisits that unforgettable moment, where control gave way to current, and fashion, freed from speed and spectacle…

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Breaking the Consumer Mindset and Reclaiming Personal Taste

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Fashion's most unsettling silhouettes are not mistakes, they are refusals. A look at how the grotesque became one of style’s sharpest tools of dissent.

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