While the recent media frenzy around the Vatican might have cooled off, fashion keeps returning to Catholic imagery, and perhaps that is no coincidence.

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The body disappears, distorts, expands. Not to become something else, but to escape being human at all.

Think of homes that feel more like installations, minimal to the extreme, anti cozy, sometimes even intentionally disorienting.

Japanese designers redefined avant-garde by merging tradition, philosophy, and innovation. From deconstruction to minimalism, their influence reshaped Western fashion and continues to inspire a generation seeking authenticity over perfection.

We explore Elsa Schiaparelli’s relationship with Surrealism, from collaborations with artists like Dalí to how Daniel Roseberry’s recent collections reinterpret those codes for a contemporary audience.

Tracing avant-garde’s path from its revolutionary roots of Elsa Schiaparelli, Rei Kawakubo, and McQueen to today’s branches of gothic elegance.

From transforming furniture into dresses to garments embedded with motors, lasers, and microchips, Hussein Chalayan revolutionized the relationship between fashion and technology. This article explores how the British-Cypriot designer became one of the earliest pioneers of wearable tech and conceptual fashion.

Elena Dawson is not a brand. It is a state of being, a phenomenon whose aura resists all attempts at categorization within fashion’s coordinate systems. Her creative work is a secluded sanctuary, a chapel on the outskirts of the industry. Here, a particular, deeply intimate romance is born : the romance of a soft gothic, devoid of vampiric pomp and grotesquery, yet imbued with Victorian melancholy and the stoic grace of decay.

Womenswear designer Antonio Femia looks to the hometown forests in Belgium for his graduate collection at Central Saint Martins. Bridget Devine discovers more about his ritualistic design universe...

Isabelle Taylor is a beautifully unconventional surrealist fashion designer specialising in fish leather, a sustainable material made from the byproducts of smoked salmon, which she uses to create garments through her brand, Skinned Potential.

Why the Fashion World is Exploring Hair… Down There

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Gothic cathedrals were built to overwhelm the soul, and their shadow still lingers in fashion. From the monumental visions of Alexander McQueen to the sculptural darkness of Rick Owens and the poetic ruins of Ann Demeulemeester, designers have long translated arches, spires, and sacred geometry into garments. In avant-garde fashion, the body becomes architecture. A cathedral of fabric where beauty, darkness, and devotion collide.

Based in Warsaw, Zwyrtech blurs the line between jewellery and sculpture, embracing imperfection through a hands-on and exploratory process.

Hair has always carried meaning beyond adornment. It is a language of ancestry, divinity, and resistance. Through Yoruba philosophy, African ritual, and contemporary fashion, this piece explores how the act of styling -braiding, covering, shaving- becomes both memory and message, both art and prayer.

Think of homes that feel more like installations, minimal to the extreme, anti cozy, sometimes even intentionally disorienting.

These five underrated brands are quietly reshaping fashion with bold ideas and unique visions. Discover who’s flying under the radar and why they deserve your attention now.

If you are into the surreal and the macabre, this list might be for you.

From distressed denim to decomposing garments, the aesthetics of ruin, erosion, and entropy in emerging fashion may signal a deeper response to the glossy unreality of digital perfection.

From transforming furniture into dresses to garments embedded with motors, lasers, and microchips, Hussein Chalayan revolutionized the relationship between fashion and technology. This article explores how the British-Cypriot designer became one of the earliest pioneers of wearable tech and conceptual fashion.

Elena Dawson is not a brand. It is a state of being, a phenomenon whose aura resists all attempts at categorization within fashion’s coordinate systems. Her creative work is a secluded sanctuary, a chapel on the outskirts of the industry. Here, a particular, deeply intimate romance is born : the romance of a soft gothic, devoid of vampiric pomp and grotesquery, yet imbued with Victorian melancholy and the stoic grace of decay.

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