L'ABBEYE Issue I

L'Abbeye Issue I : the first chapter of the archive is now open for pre-order

A 400+ page coffee-table object documenting avant-garde fashion as philosophy, not trend. Standard edition 55€, Collector x Isaac Sellam 395€, 200 numbered copies.

Pre-order now

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Want to smell like bloody birthday cake, chilly nights in London, and burnt blunt?

Based in Warsaw, Zwyrtech blurs the line between jewellery and sculpture, embracing imperfection through a hands-on and exploratory process.

Between memory and marketing, fashion has learned to fake its scars. As luxury brands sell dirt, rips, and wear at a high price, the Dirty Fit trend raises a deeper question: can authenticity be manufactured, or must it be lived? From inherited jewelry to torn runways, this article explores why real wear carries meaning and why pre-damaged fashion often rings hollow.

The Swedish designer presented her first London Fashion Week collection as an independent brand at Studio Smithfield.

Blending video game design, CGI, and couture craftsmanship, Victor Clavelly transforms technology into poetry. His creations stretch the limits of the body, reimagining what fashion - and reality - can become.

The Emotional Weight of Loss, Migration, and Memory. How Historical Trauma Transformed into Fashion.

Fashion's most unsettling silhouettes are not mistakes, they are refusals. A look at how the grotesque became one of style’s sharpest tools of dissent.

While the recent media frenzy around the Vatican might have cooled off, fashion keeps returning to Catholic imagery, and perhaps that is no coincidence.

When perfection becomes propaganda, ugliness becomes resistance. Across the avant-garde, designers are weaponising distortion, decay, and discomfort to fracture the polished surface of contemporary fashion. Transforming the grotesque into a radical language of defiance.

Cemented at the forefront of the avant-garde, here are some looks from icons like Björk, Lady Gaga, and FKA Twigs that we cannot stop thinking about.

Elena Dawson is not a brand. It is a state of being, a phenomenon whose aura resists all attempts at categorization within fashion’s coordinate systems. Her creative work is a secluded sanctuary, a chapel on the outskirts of the industry. Here, a particular, deeply intimate romance is born : the romance of a soft gothic, devoid of vampiric pomp and grotesquery, yet imbued with Victorian melancholy and the stoic grace of decay.

Hair has always carried meaning beyond adornment. It is a language of ancestry, divinity, and resistance. Through Yoruba philosophy, African ritual, and contemporary fashion, this piece explores how the act of styling -braiding, covering, shaving- becomes both memory and message, both art and prayer.

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How Nick Knight transformed fashion photography into a world of imagination and possibility.

Fashion's most unsettling silhouettes are not mistakes, they are refusals. A look at how the grotesque became one of style’s sharpest tools of dissent.

A pressed flower keeps its shape but loses its life, is that what happens to fashion once it enters the archive? Through McQueen's satire, Margiela's cloned relics, and Kawakubo's outright refusal, three of fashion's most radical minds ask whether preservation is actually killing the craft.

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