L'ABBEYE Issue I

L'Abbeye Issue I : the first chapter of the archive is now open for pre-order

A 400+ page coffee-table object documenting avant-garde fashion as philosophy, not trend. Standard edition 55€, Collector x Isaac Sellam 395€, 200 numbered copies.

Pre-order now

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Once confined to galleries and runways, experimental fashion now thrives in pixels, posts, and the digital underground.

Rick Owens draws from the shadows of musical subcultures, transforming their raw energy into a sculptural aesthetic. His work carries the spirit of underground movements, rebellious, ritualistic, and imbued with a dark romanticism. These influences do more than just inspire him; they form the backbone of his language. So what are they?

Womenswear designer Antonio Femia looks to the hometown forests in Belgium for his graduate collection at Central Saint Martins. Bridget Devine discovers more about his ritualistic design universe...

Centuries before punk or avant-garde existed, German mercenaries were already slashing fabric, clashing colours, and defying social codes. The Landsknechts of the 15th century turned rebellion into style, and their fearless self-expression still echoes across today’s runways.

Fashion's most unsettling silhouettes are not mistakes, they are refusals. A look at how the grotesque became one of style’s sharpest tools of dissent.

In June 2003, along the quiet waters of Milan’s Naviglio Grande, Carol Christian Poell staged one of the most haunting fashion presentations of the 21st century. Far from the conventional runway, his Spring/Summer 2004 show unfolded on the surface of a canal, where garments and models alike drifted in silence, part procession, part apparition. Echoing the spectral stillness of Millais’s Ophelia, Poell’s vision transformed fashion into ritual, decay into desire, and garments into relics. This article revisits that unforgettable moment, where control gave way to current, and fashion, freed from speed and spectacle…

Following the death of the last horse in a stable, a man reveals a ritualistic scene, shaped by grief and the human-animal bond.

To mark the release of The Shrouds, we revisit six moments when Cronenberg’s grotesque genius oozed into the world of fashion.

Known for her Oscar-winning costumes in Bram Stoker’s Dracula and her visionary work across film, theater, and fashion, Ishioka blended avant-garde artistry with wearable sculpture.

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Fashion's most unsettling silhouettes are not mistakes, they are refusals. A look at how the grotesque became one of style’s sharpest tools of dissent.

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