L'ABBEYE Issue I

L'Abbeye Issue I : the first chapter of the archive is now open for pre-order

A 400+ page coffee-table object documenting avant-garde fashion as philosophy, not trend. Standard edition 55€, Collector x Isaac Sellam 395€, 200 numbered copies.

Pre-order now

When Fashion stops presenting clothes and starts staging ceremonies.

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Why gothic romance literature and media are at the root of the avant-garde scene

Anonymous fashion is quietly reshaping the industry. Inspired by the legacy of Martin Margiela and embodied by designers like Carol Christian Poell and Aleksandr Manamïs, this movement rejects celebrity culture and returns focus to craftsmanship, material, and form.

Think of homes that feel more like installations, minimal to the extreme, anti cozy, sometimes even intentionally disorienting.

What if beauty wasn’t preserved, but allowed to rust? Justin Matringe turns decay into design, crafting garments that corrode the very idea of fashion itself.

Carl Jung’s archetypes offer a new lens to decode avant-garde fashion. From Browne’s Trickster to Yamamoto’s Hermit, each silhouette becomes a vessel of the collective unconscious. Proof that fashion, at its most radical, speaks the language of the soul.

The Swedish designer presented her first London Fashion Week collection as an independent brand at Studio Smithfield.

As she releases her Retrospective book, we chart the Eurythmics vocalist's looks across different musical eras, and how they shaped fashion, gender representation, and the visual vocabulary of pop.

In revisiting some of the most thought-provoking moments from recent seasons, Rokh’s Autumn/Winter 2025 show stands out as a masterclass in sculptural tailoring and conceptual storytelling.

The Emotional Weight of Loss, Migration, and Memory. How Historical Trauma Transformed into Fashion.

The new Dover Street Market brand was launched in June with the SS 26 collection of DSM Kei Ninomiya.

Artist, writer, filmmaker and former Radio Werewolf frontman, Nikolas Schreck has spent decades exploring the intersections of music, ritual, cinema and mythology. In this in-depth conversation, he reflects on the legacy of Radio Werewolf, his collaboration with Christopher Lee, the controversy of Charles Manson Superstar, and his vision of art as spiritual transmission in an age of digital distraction.

Dissecting fashion's relationship with distorted, dark, and deformed imagery

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The Emotional Weight of Loss, Migration, and Memory. How Historical Trauma Transformed into Fashion.

When Fashion stops presenting clothes and starts staging ceremonies.

The new Dover Street Market brand was launched in June with the SS 26 collection of DSM Kei Ninomiya.

One aesthetic mourns the past. The other imagines the future. Between neo-gothic and neo-futurism, contemporary fashion continues to seek meaning anywhere but in the present.

In summer, the body is no longer concealed. And dressing becomes a ritual of what we chose to elevate.

Artist, writer, filmmaker and former Radio Werewolf frontman, Nikolas Schreck has spent decades exploring the intersections of music, ritual, cinema and mythology. In this in-depth conversation, he reflects on the legacy of Radio Werewolf, his collaboration with Christopher Lee, the controversy of Charles Manson Superstar, and his vision of art as spiritual transmission in an age of digital distraction.

Flesh As Architecture explores the human body as a constructed form rather than a living subject. e body is treated as a site of erosion - a ruin shaped by time, weight, and stillness. Through restrained movement and sculptural poses, flesh becomes structural. Limbs echo columns, joints resemble supports, and skin carries the surface of decay. What remains is not emotion, but form. The body no longer performs; it stands, monumental and silent, a ruin transformed into a statue.

In June 2003, along the quiet waters of Milan’s Naviglio Grande, Carol Christian Poell staged one of the most haunting fashion presentations of the 21st century. Far from the conventional runway, his Spring/Summer 2004 show unfolded on the surface of a canal, where garments and models alike drifted in silence, part procession, part apparition. Echoing the spectral stillness of Millais’s Ophelia, Poell’s vision transformed fashion into ritual, decay into desire, and garments into relics. This article revisits that unforgettable moment, where control gave way to current, and fashion, freed from speed and spectacle…

Between memory and marketing, fashion has learned to fake its scars. As luxury brands sell dirt, rips, and wear at a high price, the Dirty Fit trend raises a deeper question: can authenticity be manufactured, or must it be lived? From inherited jewelry to torn runways, this article explores why real wear carries meaning and why pre-damaged fashion often rings hollow.

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